Issue 23 cover

Issue 23

featuring The Hara New Issue Out Now
Tresca y Tigre is Rewriting the Rules of the Italian Electronic Underground

W: Penny Lane I: Andrea Terlizzi

In the basement studios of Turin and the progressive label hubs of Milan, a quiet transformation is happening within the Italian alternative scene. At the absolute vanguard of this shift is Tresca y Tigre, a genre-fluid trio whose sonic architecture collapses the distance between European avant-garde electronics and the rhythmic pulse of South American hip-hop.

Formed in late 2023, the project is a striking creative collision between Sicala (Laura Useche De la Cruz), an Italian Colombian singer and rapper, and Trampa (Luca Venturini and Nicola Cocco), a production duo deeply entrenched in forward-thinking sound design and heavy bass. What initially began as a solo vehicle for Sicala quickly morphed into a democratic, boundary-pushing band under the banner of Milan’s tastemaker imprint Funclab Records.

Their debut EP, CÁSCARA, served as a masterclass in cross-cultural subversion. Sicala’s lyricism—fluidly weaving between Spanish and Italian—handles heavy themes of social critique, identity, and raw intimacy with effortless swagger. Trampa responds not with standard hip-hop loops, but with liquid dub, sharp electronic breaks, and deep, resonant basslines that feel intentionally destabilizing.

"It is a formula that rejects the glossy, algorithm-driven demands of contemporary Italian pop. Instead, Tresca y Tigre leans into a cynical, hyper-aware cool, a vibe fully realized on their new EP, CASI CAUSTICA CASI NADA. Take their single "Tanto non mi prendi", a brilliant, ironic takedown of hyper-capitalist hustle culture wrapped in a hypnotic electronic groove. Combined with darker, more introspective cuts like "Agnese" and the club-ready intensity of "Sin tambor", the band has established a distinct sonic universe that is entirely their own."

The industry is rapidly taking notice. Moving from underground curiosity to festival staples, their upcoming midnight set at Milan’s prestigious MI AMI Festival cements them as one of the most vital new live acts in the country.

For music journalists and editors looking to capture the true direction of the Euro-Mediterranean underground, Tresca y Tigre offers the perfect focal point. They represent a new wave of Italo-global artists who refuse to be pigeonholed by geography or genre. They aren't just making tracks for the club or the radio; they are mapping out a multi-lingual, bass-heavy future for Italian music—one sharp lyric at a time.