I: CIORDAE CD: CIORDAE PA: BAFFY Studio
DIVINIZE is an editorial photoshoot exploring the intersection of human embodiment and divine creative expression. Taking inspiration from Rosalía’s lyric—“Through my body, you can see the light”—the project visualizes the transformation of the physical form into something transcendent when an individual achieves deep alignment and self-connection.
Central to the visual narrative is a recurring light motif termed "the starburst." Far beyond a conventional lighting effect, this distinct flare emerges in unpredictable, near-impossible spatial orientations—appearing as though it radiates directly from within the subject's body. The starburst serves as a tangible representation of internal creative force making itself visible to the world.
Through this lens, DIVINIZE examines the moment human presence becomes a vessel for extraordinary art. The editorial is structured across two distinct parts.
PART 1: The Natural (Images 01–06)
Setting & Atmosphere: Rural landscapes, open water, and organic outdoor elements.
The opening sequence captures the core concept in its most effortless, instinctive form. Set against a backdrop of natural water and rural landscapes, this chapter explores organic presence and unstudied creative expression. Free from heavy stylization or complex staging, the imagery emphasizes simple, everyday interactions with the environment. Here, alignment is not engineered—it is lived. Creation unfolds casually and fluidly, capturing the subject in a state of pure presence before the metaphysical light reveals itself.
A boy sits by the pool, holding his sunglasses while a strong starburst appears directly from his face. This introduces the main idea of the project. The light seems to come from inside the body, representing the creative and divine part that already exists within us.
A girl looks towards the camera while the starburst appears directly beside her eye. The eye becomes a connection between the world around us and what exists inside us. The light feels like it is passing through her rather than simply appearing in front of her.
The starburst is reflected through the boy’s sunglasses, creating an impossible flare across the image. Something that was internal now becomes visible. The light changes the way she sees the world, suggesting how creation can transform our perception of everything around us.
The girl’s sunglasses capture the light, making the starburst appear directly inside their reflection. The light almost feels contained within her vision. It reinforces the idea that this energy is not something external. It is already part of her.
The camera looks through the plants, with the starburst appearing between the leaves. After showing the light through people, this image connects it with nature. The same energy that exists within us can also be found around us.
A girl holds a camera while the starburst appears to come directly from its lens. The camera becomes a symbol of creation. When we create something, the light inside us can be transformed into something that other people can actually see.
The City (Images 07–12)
Setting & Atmosphere: Urban architecture, structured geometry, and cool-toned streetscapes.
The narrative shifts sharply from organic nature to the structured rigidity of the metropolis. Characterized by cool blue color grading, this chapter introduces a deliberate sense of isolation and detachment, mirroring how modern environments can obscure personal alignment. Yet, despite the cold, manufactured surroundings, the signature starburst remains constant. Its persistent presence underscores a core truth: the divine spark is resilient—it persists within us regardless of where we are placed.
A girl stands in the city next to a street sign, while the starburst appears to come directly from it.
The light is now surrounded by an artificial environment. It suggests that creativity can still appear anywhere, even when we are far away from nature and from that feeling of being completely present.
A windmill stands against the sky with the starburst shining directly through it.
After seeing the light pass through people, objects and nature, we return to something closer to its source. Energy, movement and creation all become part of the same idea.
The girl looks upwards in the middle of the city, with a starburst appearing from her eye.
The city feels colder and more distant, but the light is still inside her. It feels like a moment of trying to reconnect with that part of herself.
The girl simply sits surrounded by nature, with no visible starburst. After everything that came before, the light no longer needs to appear.
It does not have to be visible outside the body to exist. It was already there.