W: Helen Atkinson I: Elliana Maria Martell
"Girl Like Me" is a brilliant, messy, and vital slice of modern Riot Grrrl. It manages to be both a political middle finger and a genuine floor-filler. While the DIY production gives it a charmingly rough edge, the sheer song writing talent suggests that Sisters of Hysteria are rapidly outgrowing the "underground" label they currently wear so well.
“A fast-paced, visceral anthem that proves the London punk scene is in very safe—and very loud—hands.”
NEW SINGLE ''Girl Like Me' OUT NOW
Somewhere in the underground of London, between the unfiltered chaos of the 90s Riot Grrrl movement and the sharp edges of modern rock, Sisters of Hysteria are carving out a space that is entirely their own. Meet the quartet redefining the capital’s punk landscape: Lily Crook (vocals/rhythm guitar/keys), Hannah Serw (lead guitar), Jessica Ingram (bass), and Ella Breeze (drums).
For those yet to witness the Sisters, don’t expect a quiet night. The band describes their sound as a deliberate collision between the raw energy of the past and the precision of the present. While they often lean into the sheer chaos of song structures that push boundaries, there is a distinct method to the madness. They aim for every track to be catchy and sharp, ensuring the noise they create is intentional enough to resonate with the audience long after the amps have been turned off.
"We make a lot of noise, pushing boundaries... but there is always intention—we still want the song to hit."
Life on the road for this four-piece is less about rock-star excess and more about sisterhood. Their pre-show ritual is remarkably grounded, focused on maintaining the bond that makes them a "solid unit." Whether it’s Lily hanging out with the girls to stay connected, Ella catching other bands’ sets, or Hannah finding a quiet corner for a cigarette to gather her thoughts, the goal is the same: to be present. As Jess puts it, there are "no diva demands here"—just a Guinness or a glass of wine to take the edge off before the storm.
The band’s latest single, "Girl Like Me," carries a weight that goes far beyond a typical punk anthem. Inspired by a chance meeting at a house party, Hannah tells the story of an Irish couple forced to flee their home due to horrific discrimination and violence. Now living in happily in London , they are rebuilding a future. The track serves as a raw, unapologetic manifesto of queer sexual liberation, designed to mock the narrow-mindedness of the hateful while claiming back female pleasure from the grip of judgement.
"It is coolly exposing and mocking the narrow-mindedness of those who refuse to accept love beyond their limited perspective."
Despite their rising trajectory, the band remains candid about the hurdles of the DIY scene. They cite their greatest strength as the mutual respect and trust that allows them to be completely honest with one another. However, they aren't immune to the "cliché but real" challenges of 2026. Balancing survival with creativity is a constant battle, with day jobs, rising expenses, and the pressure of social media often threatening to get in the way of the music.
"There is always a tension between survival and creativity—especially in the era of streaming platforms, AI, and constant pressure."
Looking ahead, fans should prepare for a sonic onslaught. The Sisters are drawing from a deep well of influences—from the road-burning legacy of PJ Harvey and Bikini Kill to the melancholic melodies of Interpol. With "Girl Like Me" acting as just the tip of the iceberg, the band is heading back to the studio to record more music. Their mission for the rest of the year is simple: more noise, more honesty, and more shows that prove women can play just as hard and heavy as anyone else.
"Expect more music always; we have so much more to share."