Issue 23 cover

Issue 23

featuring The Hara New Issue Out Now
pami Isn’t Here to Romanticise Your Situationship

NEW SINGLE 'LOSER is streaming now

W: Jeremy Whyte

There is a precise, aching indignity to being someone’s semi-secret. It’s the late-night call that leaves no digital paper trail, the hesitation in public, and the offhand disclaimer that they might end up hurting you—all served alongside just enough physical warmth to keep you anchored. On her brilliant new single ’loser’, Thai bedroom pop phenomenon pami lays that exact architecture bare, turning the humiliating, addictive loop of an undefined relationship into one of the most painfully sharp pop songs of the year.

"Being wanted, however inconsistently, can feel a lot easier than facing the quiet."

Following the success of ‘cry jar’ and ‘all in’, the Phuket-born artist continues her meteoric 2026 trajectory by refusing to package heartbreak in neat, tidy bows. Co-written with Australian riser Jett Blyton during a session fuelled by shared relationship frustration, and produced by Maribelle (Young Franco, iKON, George Alice), ‘loser’ captures the messy space where self-respect gets traded for intimacy.

Rather than writing from a position of post-breakup clarity, pami writes directly from inside the confusion. She knows she is being picked up and dropped at convenience, yet desire repeatedly overrides logic. Her lover keeps things strictly off the record, avoids public recognition, and sets up emotional exit routes early, yet pami continually internalises these red flags as mere quirks, rationalising bad behaviour just to keep the door open.

"Desire repeatedly overrides logic, leaving self-respect traded for a fleeting second of warmth."

The core vulnerability of the track hinges on her recurring confession of feeling like "a loser whenever I'm alone." It exposes how the fear of isolation makes uneven terms feel acceptable, documenting an uncomfortable space where affection comes without commitment and one person is left accepting whatever version of the relationship the other is willing to offer. pami doesn't force a heroic resolution where she triumphantly walks away; instead, she lets the conflicting impulses—frustration, lust, self-awareness, and total surrender—exist simultaneously.

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"She isn't rewriting the outcome to look heroic—she's documenting the exact moment self-respect gets traded away."

First emerging under Juicey in 2024 with her debut EP out of nowhere, pami quickly carved out a distinct space in Southeast Asia's indie landscape. Hits like ‘pity dirty’ and ‘kiss me blue’ set the stage for her 2025 debut full-length puffette, an album that solidified her reputation for confessional songwriting paired with lush, atmospheric production.

"pami isn't just capturing the quiet inner lives of her generation—she's taking Southeast Asian indie-pop global, one honest confession at a time."

Now surpassing 12 million global streams and backed by a half-million-strong social community, the Spotify RADAR and Apple Music Up Next alumnus is racking up major industry hardware—taking home Best Alter Asian Artist at the 2025 Tokyo Alter Music Awards and Best Hidden Gem Artist of the Year at the 2026 TOTY Awards. With a headline East Asia tour sweeping through South Korea, Japan, and China this September, pami is proving that turning the messiest corners of young love into raw, resonant pop is a universal language.

That emotional landscape translates seamlessly into her visual universe, where pami's music videos function as direct extensions of her diaristic songwriting. Rather than relying on polished pop grandeur, her visuals embrace candid, soft-lit aesthetics and quiet cinematic framing—capturing lingering glances, late-night transit rides, and claustrophobic bedrooms that feel ripped straight from a personal diary. Whether detailing the subtle isolation of being brushed off in a crowd or the heavy silence following an unreturned text, her video treatments turn subtle micro-expressions into narrative weight, cementing pami as a visual storyteller who understands that young heartbreak is felt most intensely in the quietest, unscripted spaces.