Arriving on February 6th, All Dressed Up is a defiant, electrifying arrival for a band that refuses to stay in the shadows, choosing instead to reanimate the rot into something undeniably beautiful.

Wednesday’s Child returns to the fore with All Dressed Up, a five-track odyssey that feels less like a traditional EP release and more like a theatrical séance. Recorded between the gritty DIY corners of Ten87 and the hallowed halls of RAK Studios, the London quartet has crafted a sonic tapestry that is equal parts feminist Gothicism and blistering punk energy. By leaning into heavier psych-rock territory, the band explores the "Frankenstein’s monster" of the psyche—stitching together poetic vulnerability with angular guitar riffs and driving, hypnotic rhythms. From the nostalgic whiplash of "KNEES" to the relentless, organ-soaked ferocity of "Fever Pitch," the record captures the volatile alchemy that has made them a staple of the UK’s underground art-rock scene.

Beneath the "witchy" aesthetics and psychedelic haze lies a profound exploration of duality: the tension between mourning old scars and the ecstatic hope of rebirth. Frontwoman Georgia’s vocals, backed by the unique inclusion of Amelia’s bassoon and the sharp instrumental interplay of Joel and Stella, guide the listener through a landscape of "dismemberment to remembrance." This isn’t just indie signwriting; it’s a high-conviction manifesto that channels the spirit of Patti Smith through a contemporary, experimental lens.