Issue 23 cover

Issue 23

featuring The Hara New Issue Out Now
THE ARCHITECTURE OF BELONGING: KSENIASCHNAIDER SS27 REFRAME IDENTITY & UTILITY

KSENIASCHNAIDER SS27 strikes a masterclass balance between functional performance and conceptual fiction, street culture and graphic artistry. It borrows the recognizable visual language of belonging without ever allowing the wearer to be completely trapped by it. The entire collection looks like it belongs somewhere precise—exactly where remains entirely open to your interpretation.

Since founding KSENIASCHNAIDER in Kyiv in 2011, Ksenia and Anton Schnaider have established a distinct blueprint rooted in avant-garde denim engineering and eco-conscious circularity. For Spring/Summer 2027, the brand undergoes a seismic internal evolution as Anton Schnaider steps up as Creative Director for the very first time. Taking full charge of the seasonal vision, Anton moves past merely refining Ksenia’s core concepts, embedding his personal graphic obsessions, subcultural memories, and visual velocity directly into the label’s DNA.

Titled UTC+1, the collection serves as a sharp commentary on modern identity, group loyalty, and contemporary symbolism. Drawing heavily from Anton’s graphic design background, the runway collides racing suits, football kits, and travel gear with an intricate network of crests, numbers, and sponsor marks. Yet, rather than pledging allegiance to real-world teams or corporate entities, UTC+1 constructs a universe of fictional affiliations—a subversive counter-statement for those who reject total conformity and rigid positions.

Every graphic element behaves like a clear statement, only to slip into playful ambiguity before becoming too literal. Hesitations like “Erm” are elevated to primary logos, while the KSENIASCHNAIDER moniker breaks down into cryptographic rebuses and numerical puzzles. Surnames on jerseys carry intriguing, detached meanings: “Daughterson” acts as a universal placeholder, while “Frijondz” borrows from old Germanic roots tied to kinship and love. By titling the collection after a time zone rather than a sovereign nation, Schnaider anchors the garments in fluid, temporary coordinates rather than static origins.

If traditional workwear was engineered for physical labor and sportswear for athletic performance, SS27 introduces Walk Wear—garments tailor-made for the modern flâneur, the city rambler, and the perpetual traveler. Functionality remains real but undergoes clever displacement: multi-pocket silhouettes render traditional bags obsolete, performance-inspired bodysuits offer urban UV defense, and pseudo-belts deliver structural visuals without rigid binding. Practical details turn into graphic cues, blurring the line between pure utility and aesthetic expression.

Beneath its fictional emblems and shifting coordinates, UTC+1 maintains a deeply tangible, uncompromising heart: every single garment was designed and produced at KSENIASCHNAIDER’s dedicated atelier in Kyiv, Ukraine. Operating for over a decade, the brand’s local facility remains an essential hub for zero-waste cutting, experimental denim construction, and upcycling innovation, proving that sustainable craft, local production, and cutting-edge design are fundamentally inseparable.

Adding another layer of depth to the season, six standout runway looks debut the third chapter of the ongoing KSENIASCHNAIDER x Lee Cooper partnership at London Fashion Week. Departing from the rigid workwear motifs of past seasons, this iteration infuses Lee Cooper’s iconic denim heritage with romantic domesticity. Soft florals, delicate checks, and vibrant patchworks clash against heavy cargo pockets and utility cuts, complete with bespoke denim tote bags designed to carry fresh produce and flowers—a poetic twist on summer dressing.

Ultimately, KSENIASCHNAIDER SS27 strikes a masterclass balance between functional performance and conceptual fiction, street culture and graphic artistry. It borrows the recognizable visual language of belonging without ever allowing the wearer to be completely trapped by it. The entire collection looks like it belongs somewhere precise—exactly where remains entirely open to your interpretation.