Issue 23 cover

Issue 23

featuring The Hara New Issue Out Now
ROOTED IN REVERB: THE ENCHANTING ASCENT OF SHE’S GREEN

She's Green 'Swallowtail' Release Date: July 10 2026

W: Maxine Sutton

Minneapolis quintet she’s green don’t just play music; they cultivate it. Describing their sound as “moss music,” the band crafts a sonic landscape that feels like wandering into an ancient forest—one where the light filters through the canopy in hazy, distorted streaks and the ground beneath your feet is soft with forgotten magic. Inspired by the fantastical realms of J.R.R. Tolkien and Hayao Miyazaki, as much as the wall-of-sound legacies of Slowdive and Cocteau Twins, the band aims to create a sanctuary defined by dreamy fantasy and sonic depth. As guitarist Liam Armstrong recalls, a moss-filled stump from his childhood gave him the feeling that "there are smaller worlds," a sentiment that now permeates their entire creative output.

The band’s journey began in 2022 within the vibrant Minneapolis college DIY scene. Roommates Zofia Smith and Armstrong bonded over the muffled recording sessions echoing from each other's bedrooms before bringing the project to life in basement jam sessions. Their rise has been meteoric; following the 2023 release of their debut EP, Wisteria, and the viral success of the track “mandy,” they hit the road across North America with the likes of Slow Pulp and Softcult. By February 2025, they had signed to Photo Finish Records, releasing the chrysalis EP later that summer to critical acclaim for its ability to balance harsh, jarring breakdowns with inviting warmth.

Looking ahead, she’s green are preparing to release their highly anticipated follow-up EP, swallowtail, on 10 July 2026. Recorded with producer Sonny DiPerri (known for his work with DIIV and julie), this new seven-track project is set to form the second half of a forthcoming full-length record. Featuring recent singles like the driving “mettle” and the ethereal “paper thin,” the release marks a significant step forward in their songcraft. Smith describes their approach as giving each song its own personality, asking the music what it wants to be rather than forcing a specific direction.

This summer, the band will bring their enveloping live show back to British soil for major festival appearances at Reading & Leeds. After winning over shoegaze devotees during their initial UK run, these high-profile slots represent a turning point for a group that started in a shared house. As they continue to expand their musical and visual world, she’s green remain as mysterious and welcoming as mist in the forest. It is clear that for this Minnesota outfit, the journey into the deep woods is only just beginning.

Visually, she’s green extend their "moss music" philosophy into a distinct cinematic language that rejects the clutter of the modern world. Their music videos often feel like found footage from a dream, favouring pastoral landscapes and soft, natural lighting over high-tech aesthetics. In the visuals for “Figurines,” the band creates a deliberate utopia by filling the screen with vintage cameras and stacked bookcases while strictly omitting any trace of mobile phones or computers. This commitment to a timeless, organic atmosphere was further solidified with the video for “Little Birds,” filmed in a forest clearing in rural Wisconsin. By placing their instruments directly into the brush and brambles, the band bridges the gap between their suburban DIY roots and the vast, ancient world they aim to soundtrack. Even as they move toward the release of swallowtail, the video for the lead single “paper thin” continues this trend, using ethereal, hazy imagery to mirror the song's themes of emotional instability and fading memory.

Paper Thin

Willow

Graze

Little Birds